Australian Directors Guild Awards

On Friday the 2nd of May the Australian Directors Guild Awards were celebrated at the Powerhouse Museum. The black tie event is held annually to honour the exceptional work of Australian directors. The awards were hosted by writer and comedian Claire Hooper.


Australian Directors Guild Awards

Best Direction in a Music Video went to David Barker for Nightingale Floor. The music video, featuring Kate Miller-Heidke, was created to bring attention to the destruction of orangutan habitats due to Palm Oil.

Best Direction in a Student Film went to Melissa Anastasi’s By This River.

Best Direction in a TV Comedy went to Mathew Saville for his episode ‘Portuguese Custard Tarts’ in series 1 of Please Like Me.

Best Direction in a TV Mini Series went to Khoa Do for Episode 4 of Better Man. 

Best Direction in a TV Drama Series was won by Rachel Perkins for her work in Series 2, Episode 2, ‘Starting Over’ in Redfern Now.

Daniel Nettheim took home the Esben Storm Award for Best Direction in a Children’s TV Program for his direction in Dance Academy, Series 3, Episode 12, ‘A Perfect Storm’.

Best Direction in a Documentary (Stand Alone) went to Corrie Chen for her direction in Suicide and Me. 

Best Direction in a Telemovie went to Rowan Woods for his work in The Broken Shore. 

Nick Robinson won the Best Direction in a Documentary Series for his work on Kakadu, Episode 4.

Best Direction in a Documentary Feature went to Sophia Turkiewicz for Once My Mother. 

Best Direction in a Feature Film went to Kim Mordaunt for his work in The Rocket. 


‘Redfern Now’ Premiere

The new drama series from ABC, ‘Redfern Now’ was screened at The Block in Redfern yesterday. ‘Redfern Now’ is the first-ever Indigenous television drama and boasts a great cast including Wayne Blair, Deborah Mailman, Miranda Tapsell, Shari Sebbens, Leah Purcell, Dean Daley-Jones, Jimi Bani and Kelton Pell. The  six-part series was produced by Blackfella Films in association with ABC TV, Screen Australia and Screen NSW. The TV series is filmed and set in the suburbs of Redfern.

Last night 3000 people were met with ice cream, sausage sizzles and juice boxes at the iconic Block. Performances were made by Casey Donovan and Marcus Corowa, and despite the strict alcohol ban everyone in the audience seem to have fun. Couples cosied up on their picnic mats and kids ran around on the equipment. It was a wonderful night, mostly for the diversity of people it attracted. I definitely think the night was a great success. It certainly attracted a lot of attention to the show and seemed very well received by the audience. I’m excited to tune in.

All photography by me!


I Just Want My Pants Back

‘I Just Want My Pants Back’ marks MTVs move away from reality, towards scripted television. ‘I Just Want My Pants Back’, based off David J. Rosen’s book of the same name, charts a group of new graduates in Brooklyn. Already solidly targeted at a clear audience, the show is quick to show that it can be edgy.

Not unlike the failed Skins USA, MTVs failed remake of Skins UK, the show jumps to establish its gritty up-frontness with alcohol, drug use and references to meaningless sex within the first few minutes. Why even the opening line is even a reference to masturbating (they don’t want to scare off the Jersey Shore crowd with anything too high brow).

The world of story is clear and it’s obvious that they are targeting hipsters. Indie music sways hipsterishly in the background as the characters chat about sex droughts, trying to find a better job and struggling to get tickets to a hip band. The show is Brookyn-centric, showing Jason in Brooklyn stations, bars and the kind pompous eco-fashion shoots that could only happen in the borough.

The dialogue is witty and quick. Lead protagonist Jason, a Jewish recent graduate, plays the nerdy but adorable card. I can’t help but imagine that he might be a grown up, but still just as sexually frustrated, Seth Cohen from the O.C. A good move, as the teenagers who watched Adam Brody in the O.C are probably graduates now themselves.

Supporting Jason, played by Peter Vack, are a host of dynamic and varied characters. Kim Shaw plays Tina, Jason’s unapologetically slutty best friend. Always the ultimate wingman, the beautiful blonde is given a host of mantra like lines that would rival Barney Stinson. For example, ‘take the deal. Otherwise a hand job is a man’s job and get out at the light and mind my vagina.’ Some lines can seem like they are trying too hard to be witty, but her candid promiscuity is refreshing. In the pilot she refers to only dating a guy because he has an air conditioner, and offering to be felt up for a free taxi ride.

The dickhead boss J.B, played by Chris Parnell, is sure to be a favourite. The comic was made famous by Saturday Night Live and his role as Dr Spaceman in 30 Rock. His dry, douchebagish, bordering on racist humor pigeon holes him into the ultimate obnoxious boss. The natural enemy of any recently graduated young professional.

Indian deli worker, Bobby, is a little contrived. He becomes comic relief, commenting on situations and taking the liberty to judge their social situations.  For example, telling Tina that the boy she’s seeing is gay, saying ‘you look like you need a pregnancy test’ and calling her ‘whore friend of Jason.’ On one hand, Bobby is a stereotype and many cheap laughs are played out from it, such as ‘in my country we say (Saying in Indian) Ugly girl blames mirror.’ But on the other he is intriguing as a main character. I hope the develop him further than just a recurring comic relief.

Stacy and Eric play the uptight college sweet hearts trying to keep their relationship together and go to graduate school. They add a realistic touch to the world but they are by far the most boring characters.

Overall, ‘I Just Want My Pants Back’ exceeded my expectations. The witty, quick humour and relatable characters will keep you in engaged. Think a spunky, sluttier F.R.I.E.N.D.S for the hipster generation. As they always say, add attractive twenty somethings in New York, document their lives and you’ve got a show.